Catalogs
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$25
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$20 Archival Films from the National Film Archive, Dan Graham, Yuki Higashino, Diane Nerwen, Howard Silver/ James Wines SITE
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$25 This book documents the first exhibition of the Wooster Group which featured archives, props, and performance documentation emphasizing the group’s unique contribution to both performative and visual culture of downtown New York for more than 45 years.
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$25 "One More - Billy Wasn’t Crying", Original Social Media Cartoons from the New Yorker. Presented alongside "Social Photography VII".
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$25 First presented in 2011, carriage trade’s Social Photography exhibitions have become both a tradition and an ongoing survey of cell phone camera use. What began as a novelty medium seven or eight years ago now provides currency for the $100 billion picture mill of Instagram, which funnels 95 million images a day through its social media network via opaque algorithms that determine the order and context of what we see.
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$25 The Village draws its inspiration from the 1960’s science fiction television show The Prisoner, created in 1967 by actor/director Patrick McGoohan.The Prisoner depicted a dystopian community known as "the Village" which possessed a cheerful Disneyesque appearance that belied its function as a kind of Soviet Bloc society whose citizens are under constant surveillance. Assigned numbers in place of names upon their arrival, the identities of the Village residents are unknown to one another. With no way to determine whether one is interacting with a prisoner or guard, the residents acquiesce into a resigned acceptance of their fate.
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$25 The first one-person show of photographs in the U.S. of this highly influential architect, planner, and theorist.
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$25 “The Earth is Flat" addresses a “new medievalism” in culture and social media, where fear and suspicion displace rational thought".
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