Carriage Trade

  • PUBLIC IMAGES

    April 18 - June 10, 2020

    Diane Nerwen
    Archival Films from the National Archive
    Dan Graham
    Howard Silver/ James Wines SITE
    Yuki Higashino

    The crowd is the veil through which the familiar city beckons to the flaneur as phantasmagoria- now a landscape, now a room. Walter Benjamin When faced with absence we resort to memory. The experience of the present, which normally includes making plans for the future, is currently on hold. The public realm, already hard to define, has become ethereal, as evidenced by our vacated streets. The very density and hyper-interactivity of cities have (...)

  • The Wooster Group

    November 8 - February 16, 2020

    Open Thursday-Sunday, 12-6pm

    When an emancipation occurs, lots of things are liberated, some good, some bad. 1 Ron Vawter I love that two-dimensional TV world. It’s not ambiguous, like film; I can feel the surface. 2 Elizabeth LeCompte Underneath each picture there is always another picture. 3 Douglas Crimp Carriage trade is pleased to present an exhibition with The Wooster Group, featuring archival material, props, and performance documentation emphasizing the group’s significant contribution to both performative (...)

  • Social Photography VII

    Gallery Exhibition Opens: Tuesday, July 9, 6-8 PM
    First presented in 2011, carriage trade’s Social Photography exhibitions have become both a tradition and an ongoing survey of cell phone camera use. What began as a novelty medium seven or eight years ago now provides currency for the $100 billion picture mill of Instagram, which funnels 95 million images a day through its social media network via opaque algorithms that determine the order and context of what we see. Fed into and viewed on a "slot machine" scroll where one might "hit the (...)

  • "One More - Billy Wasn’t Crying." Original Social Media Cartoons from The New Yorker

    July 30 - August 30, 2019
    Show extended to September 22

    Roz Chast
    Maddie Dai
    Joe Dator
    John Klossner
    Robert Leighton
    Paul Noth
    David Sipress
    Ben Schwartz
    Tom Toro
    P.C. Vey
    Liam Francis Walsh

    Carriage trade is pleased to present an exhibition of original cartoons from The New Yorker related to social media and cell phone use in conjunction with Social Photography VII. From its inception in 1925, The New Yorker’s cartoons have provided a steady supply of American cultural satire for close to a century. Commenting at times directly and sometimes more obliquely on cultural mores, trends, and current events, the cartoons offer both an ironic punch and a concise articulation of (...)

  • The Village

    April 4 - May 12, 2019
    Show extended to June 2

    Gretchen Bender
    David Deutsch
    Harun Farocki
    Andrew Hammerand
    Jenny Holzer
    Craig Kalpakjian
    Margia Kramer
    Jorge Rigamonti
    Julia Scher

    "Be seeing you." Salutation from The Prisoner The Village draws its inspiration from the 1960’s science fiction television show The Prisoner, created in 1967 by actor/director Patrick McGoohan. The Prisoner depicted a dystopian community known as "the Village" which possessed a cheerful Disneyesque appearance that belied its function as a kind of Soviet Bloc society whose citizens are under constant surveillance. Assigned numbers in place of names upon their arrival, the identities of (...)

  • carriage trade
    book fair

    March 2-3, 2019, 1-8 pm
    Christine Burgin New Directions Common Notions INK CAP PRESS Division Leap Kai Matsumiya Office Space 2 prompt: Small Editions PDF null The Home School & The Song Cave

  • Denise Scott Brown
    Photographs, 1956 - 1966

    Gallery reopens January 10, Denise Scott Brown extended to January 20, 2019
    I’m not a photographer. I shoot for architecture - if there’s art here it’s a byproduct. Denise Scott Brown Carriage trade is pleased to present the exhibition Denise Scott Brown, Photographs, 1956 -1966, the first one-person show of photographs in the U.S. of this highly influential architect, planner, and theorist. As one of the first architect/ designers to acknowledge the significance of Pop Art as a means of understanding the American vernacular and the commercial strip, Scott Brown’s (...)

  • Archive / New York, 1950 - 1970

    Exhibition extended to September 23, 2018
    Presenting an informal archive of black and white photographs alongside cell phone pictures from Social Photography VI, the exhibition Archive / New York, 1950-1970, offers visual connections between images of everyday life from 20th century New York City and the moment-to-moment recording of 21st century experience via the cell phone camera. Drawn largely from lifestyle reportage of unknown and lesser-known photographers, this companion show demonstrates parallels and historical links (...)

  • Social Photography VI

    Exhibition extended to September 23, 2018
    First presented in 2011, carriage trade’s Social Photography exhibitions have catalogued the rapid transformation of cell phone photography over the last several years. From a novelty medium existing between the voice and text functions of flip phones, to the smart phone as near physical appendage capable of recording and transmitting every waking moment, the cell phone camera now plays a pervasive role in many people’s lives. While Instagram tends to emphasize the medium’s social utility, (...)

  • The Earth is Flat.

    April 12 - June 10, 2018
    Open Wednesday-Sunday, 1-6 pm

    Martin Beck
    Henry Codax
    Ceal Floyer
    Katharina Fritsch
    Sara VanDerBeek
    Andy Warhol
    Horacio Zabala

    Suspicion, vengeance, and irrationality have become the new norm. As in previous times of radical social change, zealotry and demagoguery surge as faith in the established order recedes. The collective pursuit of democratic ideals, built on Enlightenment principles never quite fulfilled, suffers waves of backlash, resentment built up from centuries of promise and disappointment. Democracy, gamed by the twin forces of privatization and media spectacle, is forced to watch its failures writ (...)

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